The Skeptics Society & Skeptic magazine

Stephen Beckner ponders privilege and parity in a postmodern world, weighing in on the many Grand American Shaming Experiments taking place right now, and their potentially enormous personal, political, and cultural opportunity costs.

Stephen Beckner ponders privilege and parity in a postmodern world, weighing in on the many Grand American Shaming Experiments taking place right now, and their potentially enormous personal, political, and cultural opportunity costs.

Michael Shermer reviews Knowing the Score: What sports can teach us about philosophy (and what philosophy can teach us about sports), by King’s College philosopher David Papineau.

Michael Shermer reviews Knowing the Score: What sports can teach us about philosophy (and what philosophy can teach us about sports), by King’s College philosopher David Papineau

Mike McRae provides a glimpse into the history of two competing systems of biology: life as complex chemistry, and the abandoned theory of vitalism. (Part 3 of 3.)

Mike McRae provides a glimpse into the history of two competing systems of biology: life as complex chemistry, and the abandoned theory of vitalism. (Part 2 of 3.)

Mike McRae provides a glimpse into the history of two competing systems of biology: life as complex chemistry, and the abandoned theory of vitalism. (Part 1 of 3.)

Stephen Hawking said philosophy is dead. Plato would disagree, says the acclaimed philosopher and novelist Rebecca Goldstein, who provides a dazzlingly original plunge into the drama of philosophy, revealing its hidden role in today’s debates on religion, morality, politics, and science. Philosophy is not obsolete, and the ancient questions that Plato asked are still relevant in the age of cosmology and neuroscience, crowd-sourcing and cable news.

In this week’s eSkeptic Massimo Pigliucci reviews Sam Harris’ latest book The Moral Landscape: How Science Can Determine Human Values.

In this week’s eSkeptic, S. James Killings reviews AGORA, distributed by Focus Features, produced by Fernando Bovaira and Álvaro Augustin, directed by Alejandro Amenábar, written by Amenábar and Mateo Gil, starring Rachel Weisz.